I like words, and organising things, and photographing other things, and being silly and laughing heaps, and you know... stuff
13318 stories
·
12 followers

First Nations wisdom improves AI solar power prediction model by 14.6%

1 Share

Researchers have combining advanced AI techniques with First Nations seasonal data and discovered a 14.6% more accurate way to predict solar power generation, with potential to improve renewable energy planning.

Researchers at the Charles Darwin University (CDU) in the Northern Territory (NT) have developed a solar power forecasting system called FNS-Metrics, using seasonal information from First Nations calenders, the data of which was fed into a new artificial intelligence (AI) prediction model they also designed, called Conv-Ensemble.

The outcome of the study was to achieve a solar power prediction error rate, which is less than half the error rate of current forecasting models, or a 14.6% increase in accuracy and 26.2% reduction in error compared to a strong baseline model.

With the potential to revolutionise prediction technology, researchers developed the AI model using the Tiwi, Gulumoerrgin (Larrakia), Kunwinjku and Ngurrungurrudjba First Nations calendars, and a modern calendar known as Red Centre.

Conv-Ensemble uses Conv1D-layers to pick up on big, overall patterns in the data, and transformer and long-short term memory (LSTM) networks to refine more detailed patterns, which are then combined using a machine learning, weighted feature concatenation technique to get the best possible prediction.

To test the approach, the researchers drew solar power and weather data from the Desert Knowledge Australia Solar Centre (DKASC) in Alice Springs, with results showing the model can predict solar power generation with a lower error rate.

CDU Co-author, PhD student and Bundjalang man Luke Hamlin said the environmental knowledge held within the calendars is an invaluable resource.

“Incorporating First Nations seasonal knowledge into solar power generation predictions can significantly enhance accuracy by aligning forecasts with natural cycles that have been observed and understood for thousands of years,” Hamlin said,

“Unlike conventional calendar systems, these seasonal insights are deeply rooted in local ecological cues, such as plant and animal behaviours, which are closely tied to changes in sunlight and weather patterns.”

Hamlin added that by integrating this knowledge, predictions can be tailored to reflect more granular shifts in environmental conditions, leading to more precise and culturally informed forecasting for specific regions across Australia.

Co-Authors, Information Technology Associate Professor Bharanidharan Shanmugam and Information Technology Lecturer Dr Thuseethan Selvarajah said the combination of advanced AI and ancient First Nations wisdom could revolutionise prediction technology.

“Accurate solar power prediction is challenging, and these challenges hinder the development of a universal prediction model,” Shanmugam said.

“The success of the proposed approach suggests that it could be a valuable tool for advancing solar power generation prediction in rural areas, and in future work we’ll explore the applications of the model to other regions and renewable energy sources,” Selvarajah said.

A paper on the study, Conv-Ensemble for Solar Power Prediction with First Nations Seasonal Information was published in IEEE Open Journal of the Computer Society.

This content is protected by copyright and may not be reused. If you want to cooperate with us and would like to reuse some of our content, please contact: editors@pv-magazine.com.

Popular content

Read the whole story
bluebec
15 hours ago
reply
Melbourne
Share this story
Delete

ALT

1 Share
A comic of two foxes, one of whom is blue, the other is green. In this one, Blue is angrily running while being chased by equally grumpy Green.
Green: WI you just let me buy it for you!
Blue: No! That's your money.

Blue turns around to look at Green, who still pursues him.
Blue: You should spend it on things you want.
Green: And I want you to have nice things!

Blue turns around, and Green turns as well to chase him into the opposite direction.
Blue: Just because I have no money doesn't mean you can spend all of yours on me.
Green: Because you won't let me.

Blue continues to flee grumpily, pursued by Green.
Green: I want to buy the luxury of getting you nice things.
Blue: My honour forbids.ALT
Read the whole story
bluebec
2 days ago
reply
Melbourne
Share this story
Delete

ALT

1 Share
A comic of two foxes, one of whom is blue, the other is green. In this one, Green is sitting in a tree, wrapped around the trunk, while Blue is sitting on the ground at the bottom, looking up.
Blue: What are you doing?
Green: A whim overtook me.
Blue: Are you having fun?
Green: I was. The novelty has pretty much worn off now.
Blue: Are you stuck?
Green: Yes.ALT
Read the whole story
bluebec
2 days ago
reply
Melbourne
Share this story
Delete

No transphobes allowed, only transborbs.

2 Shares

No transphobes allowed, only transborbs.

Check out my stuff!

Read Namesake✧ ✧Read Crow Time✧ ✧Store✧ ✧Patreon

Read the whole story
bluebec
2 days ago
reply
Melbourne
ameel
24 days ago
reply
Melbourne, Australia
Share this story
Delete

Israel: silencing dissent everywhere - The Shot

1 Share

In June of last year I received a distressed call from a friend. A man she barely knew had sent her several vicious text messages completely out of the blue. My friend only knew the man in a professional capacity, having hosted a few online meetings of a group he’d been part of. Apart from her limited online interactions with him, she had never met him in person.

The man, a pro-Israeli, had for reasons best known to himself and his cohort, taken to trawling through my friend’s social media and had discovered a post relating to the starvation of Palestinian children that had raised his ire – but not for the reasons most ethical people would suspect. No, his issue with the post he’d pounced upon was that my friend was spreading ‘misinformation’ from alleged Palestinian propagandists that made him feel ‘unsafe’. Yes, while snooping through the pages of a middle-aged woman he barely knew, and confronted with the image of a starving child, this wealthy privileged white male suddenly felt ‘unsafe’.

Exactly how this 30-something man, who lived 500 kms away from my friend, felt “unsafe” in his living room in online meetings with a lone woman he’d never met is anyone’s guess, but such is the warped reality and the organised victimhood of the pro-Israel lobby.

A few months prior to this, in March 2024, the State Library of Victoria abruptly ended the contracts of three writers due to appear in a series of workshops. The three writers had not done anything illegal or immoral or blatantly aggressive. Some of them had, however, shared their opinions on the people of Palestine and had even had the audacity as writers and artists to make their opinions publicly known through their art.

This was too much for the management of the State Library who, without consultation with the artists, (a common theme) told the writers they were suddenly persona non grata. Complaints (plural) by persons unknown – one cannot imagine who – had been made to the library that the appearance of these wicked writers who wrote things would make for an “unsafe environment”. Unsafe.

In November of 2023, 6 weeks after the atrocious Hamas attacks of October 7th, three actors in a play in Sydney appeared at the curtain call wearing scarves traditionally known as keffiyeh. Scarves.

Although the theatre only held approximately 800 people, within 24 hours of the unforgivable sin of wearing scarves in a theatre, the Israeli lobby machine had swung into action across Australia. The Australian newspaper was luckily immediately on the case of the outrageous scarf wearing, and before long, a 1500 signature petition (with alleged signatories not independently verified) was presented to the Sydney Theatre Company with, of course, the Australian newspaper being the only media to know of the petition’s existence beforehand.

In a performance worthy of its own stage, one STC board member resigned over the scarf wearing, typing through clutched pearls: “Can we look at who has the power right now? It’s not bewildered Jewish theatregoers, intimidated and triggered in the place they love, support and usually feel safe.” Hmm, unsafe. 

By month’s end, the STC had been forced to produce not one, but three grovelling apologies. The STC’s chief fundraiser Judi Hausmann claimed she felt “unsafe” (there’s that word again) and yes, even “devastated” due to three actors wearing scarves inside a theatre, pro-Israeli fundraisers withdrew their sponsorship and all hell rained down upon the theatre company because, well… three actors wore scarves inside a theatre.

Fast forward to August of 2024 where we find another artist doing something horrific inside a theatre. Saying words. Three full sentences in fact. British Australian pianist Jayson Gillham said before his scheduled recital: “Over the last 10 months, Israel has killed more than 100 Palestinian journalists. A number were targeted assassinations of prominent journalists who were travelling in marked press vehicles or wearing press jackets. The killing of journalists is a war crime in international law, and it is done in an effort to prevent the documentation and broadcasting of war crimes to the world.”

Once more, the sophisticated pro-Israeli machine charged with ensuring artists inside Australian theatres and libraries did not allow Palestinian people a scintilla of sympathy, rallied with their victimhood flags at the ready. The next day, the Australian newspaper (such a coincidence) reported on the forbidden theatre words and within days, Mr Gillham’s next performances were cancelled by the Melbourne Symphony Orchestra in a panicked, thought-free frenzy of cowardly management that has become all too familiar in Australia’s arts and culture scene.

Australians over the past few years have had to witness their own country’s artistic and cultural institutions continually hijacked to their detriment by a foreign entity. This hijacking raises a very serious question that Australia’s politicians are yet to address: are some Jewish Australians and non-Jewish Australians loyal to Israel to the overall detriment of Australian life? I suspect we know the answer.

Over the past two years, we have seen:

  • The surveillance and continual harassment of Lebanese Australian journalist Antoinette Lattouf for sharing news stories on her social media about the killing of Palestinians. It is an established fact emerging from her recent federal court case, that Lawyers for Israel had already contacted the ABC – before Ms Lattouf had even appeared on air – claiming Ms Latouff’s yet-to-be-heard program miraculously made them feel ‘unsafe’ (not at all a propaganda co-ordinated word of course). Ms Lattouf’s swift sacking appears to have been partly due to panic that a story about her would be appearing in the Australian the next day – another wonderful coincidence.
     
  • The cancellation of Lebanese Australian artist Khaled Sabsabi’s work at the Venice Biennale by Creative Australia, who panicked partly due to the fact a reporter from the Australian (good heavens) had shared information with a Liberal party senator who then regurgitated the partially incorrect information in the senate. Where this pro-Israeli information being fed to the Australian newspaper comes from is anyone’s guess of course. This decision was then followed by the ridiculous about-face several months later of reinstating Sabsabi to produce his Venice Biennale work as planned, which begs the question – if nothing had changed about Sabsabi over the preceding six months, why the about-face?
  • The cancellation of a Queensland state writing prize awarded to Indigenous writer Ren Wyld, who posted words on their social media page that seems to have upset somebody in the pro-Israeli lobby somehow, somewhere, and, possibly, as we can all guess by now, made them feel ‘unsafe’. And you won’t be disappointed to learn the Australian newspaper was again, first on the case of this story. Remarkable really.

It’s clear by now that Israel and its adherents constantly imagine themselves as small and powerless and somehow under continual attack from the world around them. Like the well-connected man secretly surveilling my friend’s social media pages for things to make him feel ‘unsafe’, it is a cult-like mentality of collective and self-fulfilling paranoia. And like any cult mentality,  it suits the leaders, the state of Israel, to keep its believers that way – forever ‘unsafe’ in the world.

The reality is of course that the Israeli propaganda machine is a highly organised movement that has been well under way since the middle of last century. As we have seen in Australia, it is slick, it’s coordinated and it’s designed to do two things – silence any dissent and terrify any other person or organisation from doing the same. The proof sits boldly on top of Australia’s forever damaged, censored and cowed arts and cultural institutions.

The pro-Israel machine is not about balance, it’s not about objectivity. That would rely on all voices being heard and all sides being given equal sympathies and equal access to power. The pro-Israel lobby isn’t designed to balance debate nor to enrich it – it is designed to silence it.  

Read the whole story
bluebec
5 days ago
reply
Melbourne
Share this story
Delete

Duluth scientists discover novel ‘Ship Goo‘ aboard Great Lakes research vessel

1 Share

Create an account or log in to save stories.

Thanks for liking this story! We have added it to a list of your favorite stories.

Scientists at the University of Minnesota Duluth's Large Lakes Observatory have discovered a new microorganism in an unexpected place—hiding in the oily recesses of a Great Lakes research vessel.

The researchers made the discovery last fall, after crew members aboard the R/V Blue Heron noticed a strange knocking sound coming from the ship’s propeller system while on a research expedition on Lake Erie.

They hauled the ship out of the water at the Great Lakes Shipyard in Cleveland. That’s when the Large Lakes Observatory’s Marine Superintendent Doug Ricketts saw a black, tar-like goop oozing out of the ship’s rudder shaft.

He had never seen the stuff before, and thought it was odd. So he filled a red plastic cup full of the substance, and gave it to UMD professor Cody Shiek, a biologist who focuses on microbial ecology. Shiek decided to sample it.

MPR News helps you turn down the noise and build shared understanding. Turn up your support for this public resource and keep trusted journalism accessible to all.

"I was completely like, we're not going to get anything off of this,” he remembers thinking.

“But surprisingly, we found DNA and it wasn’t too destroyed, nor was the biomass too low."

After sequencing the DNA and comparing it with global databases, the team confirmed they had discovered an entirely new organism, a microbial species that appeared to thrive in the warm, oily, oxygen-free environment within the ship’s rudder shaft.

Shiek and his team temporarily dubbed the substance “ShipGoo001.”

"And we don't know exactly what ShipGoo001 is good for right now,” said Catherine O'Reilly, director of the Large Lakes Observatory. “But there's a good chance that we'll learn more about it, and it might turn out to have applications to things that we care about as a society."

For example, some organisms in the goo appear to be methane producers, O’Reilly said, potentially useful for biofuel production.

This isn’t the first time Shiek has discovered a new organism. Far from it. On research trips on Lake Superior aboard the Blue Heron, he said it’s common to find new species, especially in the sediment of the lake.

“When we go out into the environment, we're constantly finding new organisms, and that's just because things are very under sampled,” Shiek said.

What’s different and exciting about the ship goo is that they were not looking for these organisms. It was an accidental discovery. “We weren’t supposed to probably see this,” he said.

Shiek has studied microbes living in extreme environments from Lake Superior, to deep ocean hydrothermal vents and hot springs.

This discovery highlights how much remains unknown, even in familiar, built-up environments like ships.

“I think it tells us we can discover new things everywhere. We don't have to go to Mars necessarily to find brand new things right under our noses,” O’Reilly said. She added that it’s important to allow scientists to pursue new things without necessarily having a goal in mind.

“This shows us how how important it is to be creative as a scientist, to be open minded, to take advantage of opportunities that come to you and just explore what's right in front of you, because you really don't know what you're going to find.”

A mystery that Shiek is still trying to answer is determining where the organisms originate. He speculates they may have been dormant in the oil used to grease the rudder, waiting until conditions were right for growth.

While ShipGoo001 is new to science, similar species have been found in tar pits and petroleum wells around the world.

Shiek said the next step in the research is to try to decipher the metabolic processes of the microbes.

“Does it eat oil? Does it breathe in metal, like iron? And so that's where we're at right now. Thinking about how these organisms are surviving, or maybe even just thriving, in this built environment that we very rarely think about.”

And soon, the substance will receive a new scientific name. Participants in the Large Lakes Observatory’s Freshwater Discovery Day aboard the Blue Heron on July 30 will have a chance to join Shiek in coming up with an official name for what remains, for now, ShipGoo011.

    Read the whole story
    bluebec
    8 days ago
    reply
    Melbourne
    Share this story
    Delete
    Next Page of Stories