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Satirical erotic newspaper discovered inside heritage Hobart hotel

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While removing tiles during renovations at the Lenna of Hobart Hotel, Brian Cooper came across something hidden in the walls.

He pulled out a newspaper that was over 50 years old, but quickly realised this was no ordinary paper.

"I wasn't too sure what it was, I thought it was a porno book really," Mr Cooper said.

The 1973 erotic newspaper by Ribald in Sydney is reminiscent of a time capsule, revealing a part of Australian history almost forgotten.

Worker holding up old Ribald newspaper

Brian Cooper holding up the erotic Ribald newspaper found in the walls of the Lenna of Hobart hotel.  (ABC: Eliza Kloser)

The yellowed pages feature satire articles, from a flasher with "duplicated genitalia", to a male wrestler held at gunpoint for sex.

Throughout, there are nude models, erotic comics, personal advertisements and even a sex quiz.

It also depicts photos and articles of homosexuality in a time when that was criminalised in some states and territories.

An erotic comic section in a Ribald 1973 newspaper

A comic section plays on 'traffic signs' with sexual innuendo.  (ABC: Eliza Kloser)

A page of a yellowing news paper, with a photo of a naked person with hands on hips and headline "Flasher's double exposure"..

Satirical and erotic articles feature throughout the Ribald newspaper. (ABC: Eliza Kloser)

A page from the personal advertisements of a yellowing old newspaper.

Personal advertisements sent from every state in Australia featured in the paper.  (ABC: Eliza Kloser)

How did it get there?

Cameron Clark's family owns the hotel, and Mr Cooper said the newspaper may have made its way there during renovations of the main mansion in 1974.

"It would have been some of the workers that were doing the renovations on it, without a doubt," he said.

"There was a can of beer next to it as well."

A black white photo of an ornate two-storey building with verandas and people on the top floor.

Historical photo of a function at the Lenna of Hobart hotel, undated.  (Supplied: Lenna of Hobart)

The original 1874-built sandstone mansion is listed on the National Trust, and its walls have hosted famous guests, including Andrew Mountbatten-Windsor (the former Prince Andrew) with Sarah Ferguson, and members of the band Midnight Oil.

"[The newspaper] will probably be put into one of the scrapbooks or museum areas that we've got within the hotel," Mr Clark said.

"It's a genuine piece of history.

"But it's probably not everyone's cup of tea, so whether it will be on public display or not, I'm not sure."

A painting of harbour hanging on a grey wall, with a hand of a person off camera pointing out a detail

The Lenna of Hobart has a rich history and is one of the original buildings near Hobart's waterfront. (ABC: Eliza Kloser)

Satire, sex and alternative press

There were several erotic and satirical newspapers in Australia in the 1960s and 70s, including Ribald, Oz, Squire, and the popular Kings Cross Whisper.

In an interview with the ABC in 1971, editor of the Kings Cross Whisper Terry Blake said it was the type of journalism people wanted compared to typical news publications.

ABC News report on Kings Cross erotic newspaper in 1971 (ABC News)

"The degree of professionalism, the degree of well-written copy and the realistic appraisal of the world as it is, [is] far more evident in the Whisper," he said.

"We publish tit pictures sure, they are pretty pictures and they are well worth looking at, but our copy is funny … our journalism is funny."

Some of the headlines featured in the Kings Cross Whisper during its publication between 1964 to the mid-1970s included:

Everything in Australia banned

Opera House to be a hamburger joint

Victoria plans new body to plan new plan

Poker machines ban people

Pop group sings in tune

So, who were the writers behind these parody articles?

Mr Blake said "some of the best journalists in Australia".

In an interview with The Sydney Morning Herald, co-creator of the Kings Cross Whisper Max Cullen said well-regarded journalists adopted fake names to write for them.

"Just about every top journo wrote for them under stupid names like 'Argus Tuft'. I called myself 'Marc Thyme'. Sounds pretty flashy, eh?"

he said.

Battle of censorship

As you can imagine, some state and territory governments at the time were not the biggest fans of these publications.

The editor of another erotic publication, called Squire, said in an interview that he received "hints" of government objection.

"We've only ever had trouble with Victoria, none of the other states have made any fuss at all," Jack de Lissa told the ABC in 1967.

"They banned nipples in colour. then they banned nipples in black and white, then they banned bottoms and then drawings of bottoms, then drawings of nipples — it just went on endlessly."

There was a legal risk involved with publishing erotic content, with the editor of the Oz, Richard Walsh, going behind bars during the 1960s, charged with issuing an obscene publication.

Some publications were also ripped off street stands in Perth by police, according to a Canberra Times article in 1973.

"Plain-clothes police raided a city bookstall today and seized sex publications valued at $500," it read.

"They took girlie magazines and copies of the eastern states publications Bawdy and Ribald."

The copy of the uncovered Ribald newspaper in Hobart shines a light on a time in Australia's media history where sexuality was scandalised.

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bluebec
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Shame and Shamelessness: two sides of the same coin

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 Shame and Shamelessness: Two Sides of the Same Coin 

or What Healthy Guilt Can Teach Us

There’s a pattern I see everywhere, in families, relationships, workplaces, and society, and once you see it, you can’t unsee it.



It looks like people swinging wildly between two emotional extremes:

Unaccountable shamelessness: “They deserved it.”

“I had every right.”

“I’m not the problem.”

and

Self-attacking shame: “I’m a terrible person.”

“Everyone hates me.”

“I’m the worst.”

At first glance these seem opposite.

But I’ve come to believe something different:

Shame and shamelessness are both forms of self-preoccupation - two sides which don't face each other and yet both have the same impact:

the person who was hurt is left waiting, unseen, and unrepaired.


The emotional trap: swinging from high horse to self-attack

The “shameless” version is familiar to many of us.

It’s the mode where a person:

becomes righteous

doubles down

justifies their behaviour

positions themselves as superior

blunts empathy

refuses reflection

It can even feel good, because superiority is a powerful anaesthetic.

And indignation can function like empowerment in the same way caffeine functions like energy: quick delivery, immediate force, but not lasting.

It creates havoc in relationships.

Then sometimes the pendulum swings.

The same person collapses into shame:

“I’m terrible.”

“I’m the worst.”

“Everyone hates me.”

This can give the illusion of accountability - partly because many of us have been socialised into treating self-attack as virtue. But shame collapse usually isn’t accountability. It’s still self-preoccupation, just dressed in self-criticism.

And yes, I think it’s fair to name the larger cultural influence here: in many contexts, centuries of patriarchal social conditioning have normalised emotional patterns where dominance and defensiveness are rewarded, and vulnerability becomes either performative or weaponised. In that landscape, both shamelessness and shame can become socially supported escape routes from genuine repair.

Because shame collapse can become another form of self-focus - a way of pulling the whole room back into the self, making the moment about internal pain rather than external impact.

So the swing continues:

shamelessness → shame → shamelessness → shame

And nothing actually changes.

Why both shame and shamelessness keep us stuck

Here is the thread that ties them together:

Both positions keep attention locked on “me.”

Shamelessness says: I’m fine, you’re wrong.

Shame says: I’m terrible, comfort me.

Both prevent the middle move:

Looking behind yourself and noticing the person you hurt.

That’s the real developmental leap: the ability to step out of self-preoccupation and into relational reality.

This is why words alone don’t shift patterns.

What shifts patterns is stamina: the stamina to stay present with discomfort while turning toward impact.

The middle path: Healthy guilt

There is something in the centre of shame and shamelessness that most people were never taught.

It’s not self-attack.

It’s not superiority.

It’s not avoidance.

It’s healthy guilt.

Healthy guilt sounds like:

“That wasn’t okay.”

“I can see that hurt you.”

“I want to do this differently.”

“How can I make repair?”

Healthy guilt is not identity collapse.

It’s not:

“I’m a terrible person.”

It’s:

“I did a harmful thing.”

And that distinction is everything.


Why healthy guilt matters (especially in families)

In childhood, the shame script is developmentally common.

Kids will say:

“I’m the worst!”

“Everyone hates me!”

“I’m terrible!”

This isn’t manipulation in a calculated adult way, it’s usually a nervous system trying to regulate overwhelm. It can also be mimicry depending on what they have heard others say and when. 

But the risk is this:

When adults rush in and only reassure the child’s worth, without guiding repair, the child learns a bypass.

They learn that self-attack = someone else rescues them from responsibility.

Over time, this can install a pattern:

Collapse into shame to escape consequences

Swing to shamelessness to escape pain

Never build the bridge into repair

This is how it becomes intergenerational.

What does it look like to teach the middle?

The goal is not to shame children out of shame.

The goal is to teach them:

worth is stable

behaviour has impact

repair is required

and they can do it

Here are examples of what a parent (or adult) might say:

1) Hold worth steady

“You’re not a bad person. You’re safe and loved.”

2) Hold behaviour accountable

“And what you did wasn’t okay.”

3) Turn toward impact

“Let’s look at who got hurt and what they need.”

4) Make a repair plan

“What can you do to make it better?”

This is how a child learns:

guilt is tolerable

accountability is possible

relationships can survive rupture

and repair is a skill, not a personality trait

But what about adults?

Many adults never learned this.

They learned scripts that look caring but actually keep them trapped.

Examples:

quick reassurance (“No no, you’re wonderful”)

quick minimising (“It’s fine, don’t worry about it”)

quick flipping into blame (“Well you made me do it”)

quick apology that centres the apologiser (“I feel terrible”)

The hard work is not thinking about others for five seconds when you’re in a good mood.

The hard work is learning the back-and-forth movement between self and other:

self-awareness → outward attention → accountability → repair → self-compassion

That movement requires emotional maturity.

It often requires unlearning.

This is why society feels stuck

When shame and shamelessness dominate culture, we get:

moral superiority

blame spirals

humiliation as entertainment

fragile egos

performative apologies

“I’m the worst” collapse

“they deserved it” justification

And very little genuine repair.

This is why I believe healthy guilt is quietly radical: it invites accountability without annihilation

Note on originality: this framing is not new, and I’m not presenting it as a novel insight. Variations of this idea exist in attachment literature, trauma-informed relational work, and accountability frameworks. I’m sharing it here because it still isn’t widely understood in mainstream culture, and repetition across different voices and contexts matters


A closing note

If you recognise yourself in either extreme :  shame collapse or shameless superiority : that doesn’t mean you’re broken.

It means you’re human.

But it may also mean you were never taught the middle path.

Healthy guilt is the place where:

you can feel proportionately bad about bad behaviour

without becoming your behaviour

while holding yourself in warm regard as a flawed human

and staying turned toward the person you hurt

That’s where repair becomes real.

And real repair is one of the most healing things humans can learn.

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Australia Is Getting Heat Data Wrong - And It’s Putting People at Risk

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Australians are told every summer how hot it’s going to be.

But increasingly, the information we’re given bears little resemblance to the heat people are actually exposed to – and that disconnect is becoming dangerous.

This isn’t about climate denial or attacking science. It’s about using the right science for the right purpose, and recognising that the way we talk about heat has failed to keep pace with the conditions people now live in.

The temperature you’re told isn’t the heat you feel

When weather services report a maximum temperature – say 39 °C – many people reasonably assume that reflects what they’ll experience in their suburb, on their street, or in their home.

It doesn’t.

Official readings, such as those used by the Bureau of Meteorology, are taken under carefully controlled conditions:

  • In shade
  • Well ventilated
  • Away from roads, buildings, cars, and concrete
  • Designed for long-term consistency, not human exposure

These measurements are excellent for climate records and historical comparison. They are not designed to describe the heat load people actually endure in built-up environments.

In suburbs dominated by asphalt, brick, concrete, and dark roofs, real-world conditions can be 8–15 °C hotter than the official figure once radiant heat and stored heat are accounted for.

Yet this gap is rarely explained clearly to the public.

Why this matters more than most people realise

Heat doesn’t kill dramatically. It kills quietly.

People collapse days into heatwaves, not minutes into them. They underestimate risk because the numbers they’re given don’t match what their bodies – and their homes – are experiencing.

When a forecast says “Maximum 39° C”.

Many people hear:

  • “Hot, but manageable”
  • “I’ve handled this before”
  • “It’ll cool down later”

But what they may actually be dealing with is:

  • Street-level exposure equivalent to 45–50 °C
  • Buildings that have absorbed heat all day
  • Nights that don’t cool enough for the body to recover
  • Cumulative heat stress across consecutive days

That mismatch delays protective action – and increases health risk, especially for older people, children, and those with chronic illness.

The missing piece: buildings don’t just get hot – they store heat

One of the most dangerous misconceptions about heat is the idea that air temperature alone determines comfort and safety.

It doesn’t.

What matters just as much is thermal mass – the ability of buildings and materials to absorb, store, and later release heat.

Brick, concrete, tiles, stone, and even plasterboard act like thermal batteries:

  • They absorb heat throughout the day
  • They continue releasing it long after the sun goes down
  • They can keep indoor spaces hot even when outside air temperatures fall

This is why people often say, “It’s still hot inside even though it’s cooled down outside.”

They’re not imagining it. The house itself has become a heat source.

Why this changes how heatwaves should be managed

During short hot days, thermal mass can help.

During extended heatwaves, it becomes a liability.

If a building:

  • Isn’t actively cooled early
  • Isn’t shaded
  • Has limited night purging
  • Faces repeated hot days without a full cool-down

Then each day adds heat to the structure, not just the air.

By day three or four, people aren’t cooling a room – they’re trying to cool walls, floors, furniture, and ceilings that are already heat-soaked.

This is why:

  • Overnight temperatures matter so much
  • Consecutive days are far more dangerous than single extremes
  • Homes that “cope fine” on day one can become unsafe by day four

Official forecasts rarely communicate this compounding effect.

Why “it’ll cool overnight” is no longer a safe assumption

In many heatwaves, overnight minimums stay above 22–25 °C.

That means:

  • Buildings don’t fully release stored heat
  • The body doesn’t fully recover
  • The next day starts hotter than the last

This is one of the strongest predictors of heat-related illness and death – yet overnight risk is still downplayed compared to daytime maxima.

A house that never truly cools is not a safe refuge, even if it has air-conditioning.

“Your car thermometer is wrong” … not really

People are often told that car temperature readings are inaccurate and should be ignored.

That’s misleading.

Car sensors measure local, radiative heat exposure. They are unsuitable for climate records, but they often reflect the heat stress people actually experience at street level.

Dismissing these readings without explanation teaches people to distrust their own perception – exactly when they should be paying attention.

The data already exists – the communication doesn’t

Australia already has:

  • Urban heat-island research
  • Apparent temperature and heat-stress modelling
  • Excess mortality data from heatwaves
  • Satellite land-surface temperature data
  • Health department heat-risk thresholds

What’s missing is a public-facing translation layer.

The system answers, “What is the regional reference temperature?”

People need answers to:

  • How hot will my surroundings get?
  • Will my house store this heat?
  • Will it cool enough overnight to recover?
  • How many days will this persist?
  • What actions matter before the heat peaks?

Those questions are largely left to individuals to figure out – often too late.

What safer heat information would look like

We don’t need new technology. We need honest framing.

Imagine forecasts that said:

“Although the official maximum is 39 °C, built-up suburbs may experience conditions equivalent to 47–50 °C. Buildings will absorb heat throughout the day and may remain hot overnight. Actively cool living spaces early, reduce heat storage, and plan for limited overnight relief.”

That information already exists. It simply isn’t prioritised.

This isn’t alarmism – it’s accuracy

The goal isn’t to frighten people.

It’s to give them relevant, actionable information.

Australians are resourceful. When people understand how heat actually behaves – in streets, in buildings, over multiple days – they adapt.

What they can’t do is respond to danger that’s been averaged away.

As extreme heat becomes more frequent and persistent, continuing to rely on technically correct but exposure-blind temperature reporting isn’t just outdated.

It’s unsafe.


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bluebec
2 days ago
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An Astonishing Graph

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a graph of child mortality that shows rates of 50% until around 1800 and then a steep drop to 4% in 2020

For most of human history, around 50% of children used to die before they reached the end of puberty. In 2020, that number is 4.3%. It’s 0.3% in countries like Japan & Norway.

This dramatic decline has resulted from better nutrition, clean water, sanitation, neonatal healthcare, vaccinations, medicines, and reductions in poverty, conflicts, and famine.

Before ~1800, almost every parent lost a child; now it’s such an uncommon experience that people have forgotten and want to ban vaccines.

Tags: infoviz · science

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bluebec
21 days ago
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How Ferrari’s F1 Team Improved Medical Care for Children

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Great Ormond Street Hospital for Children (GOSH) in London improved their surgery-to-ICU handoff process by observing how Ferrari’s F1 team handled pit stops.

GOSH doctors visited and observed the pit crew handoff in Italy. While visiting the Formula One pit crew the GOSH doctors became interested in the way they addressed possible failure. The crew sat around a big table analyzing and reanalyzing, asking, “What could go wrong?” and “What are we going to do if it does go wrong?” and “How important is it if it goes wrong?” Everyone’s ideas were given equal weight until the group ranked them using the failure modes and effect analysis (FMEA).

This anticipatory planning made the pit crew more prepared than the medical team whose strategy tended to be waiting until something went wrong to work out what they should have done. Observing the pit crew, the GOSH doctors noted the value of process mapping, process description, and trying to work out what people’s tasks should be. They learned the keys to a successful pit stop:

– The routine in the pit stop is taken seriously
– What happens in the pit stop is predictable so problems can be anticipated and procedures can be standardized
– Crews practice those procedures until they can perform them perfectly
– Everyone knows their job, but one person is always in charge

Among their findings that led to improvement:

While the main theme changes were more sophisticated procedures and better choreographed teamwork, another aspect of the Formula One handover process easily transferred to the hospital setting. The lollipop man is the one who waves the car in and coordinates the pit stop. He maintains overall situation awareness during the pit stop. In the old hospital handover there was no one like the lollipop man so it was unclear who was in charge. Under the new handover process, the anesthetist was given overall responsibility for coordinating the team until it was transferred to the intensivist at the termination of the handover. These same two individuals were charged with the responsibility of periodically stepping back to look at the big picture and to make safety checks of the handover.

According to this video about the hospital’s study, they were able to reduce the number of errors in the handover by 66%.

(thx, meg)

Tags: Formula One · medicine · video

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bluebec
21 days ago
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Forks Out: A Benoit Blanc Sesame Street Mystery

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For years now, the people have wanted only one thing: for Daniel Craig’s chicken-fried detective Benoit Blanc to feature in a Muppet movie (with Craig as the only human). Earlier this year, Netflix picked up the streaming rights for Sesame Street. That partnership has borne some unexpected fruit: Forks Out: A Benoit Blanc Sesame Street Mystery.

In the video, detective Beignet Blanc arrives to investigate who ate Cookie Monster’s triple berry pie.

I have arrived to this Street of Sesame on a sunny day turned cloudy. We have a culinary culprit in our oven mitts. And to solve this confectionary conundrum, we must look right in front of our googly eyes at Cookie Monster.

The whole thing is delightful. See also Nerdist’s Rainbow Connection: A Benoit Blanc Mystery.

Tags: Daniel Craig · Knives Out · movies · Netflix · remix · Sesame Street · The Muppets · TV · video

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bluebec
22 days ago
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